About Hemogoblin-Mangled
Font Weight Name: Hemogoblin-Mangled is a uniquely designed font that exudes a sense of ruggedness and expressiveness. The font’s APERTURE is wide, providing a bold and impactful look. The APEX of the letters are sharp and pointed, adding to its edgy vibe. The ARC of the characters is smooth and flowing, giving them a sense of movement. The ARM of the letters is strong and sturdy, contributing to the font’s overall weighty appearance. The ASCENDER of the font is tall and elegant, while the DESCENDER is long and dramatic. The AXIS of the characters is slightly slanted, adding a touch of dynamism to the overall design. The font features BILATERAL SERIFS that give it a classic and timeless feel. The BOWL of the letters is rounded and full, making them stand out on the page. The BRACKET connecting the serif to the stem adds a touch of sophistication to the design. The font’s COUNTER (open) spaces are generous, allowing the letters to breathe, while the COUNTER (closed) spaces are compact and solid. The CROSSBAR of the font is sturdy and well-defined, adding to its overall structure. The CROTCH of the characters is sharp and angular, giving them a hint of danger. The EAR of the font is small and unobtrusive, while the EYE is large and commanding. The FINIALs of the letters are elegant and refined, adding a touch of sophistication. The FOOT of the font is sturdy and solid, providing a strong foundation for the characters. The HAIRLINE strokes are delicate and precise, creating a sense of lightness within the otherwise heavy design. The HEAD SERIFS are bold and prominent, adding a touch of gravitas to the font. Each JOINT in the characters is well-defined, adding to the font’s overall coherence. The LEG of the font is sturdy and straight, giving it a sense of stability. The LIGATUREs in the font are expertly crafted, blending the characters seamlessly together. The LINK/NECK connecting the characters is slender and elegant, creating a sense of flow within the design. The LOOP in the font is large and eye-catching, adding a unique element to the overall look. The OVERHANG of the characters is dramatic and striking, making them stand out on the page. The SERIFS of the font are bold and classic, giving it a timeless appeal. The SHOULDER of the font is strong and well-defined, adding to its overall structure. The SPINE of the characters is elegant and flowing, giving them a sense of movement. The SPUR of the font is sharp and pronounced, adding a touch of aggression to the design. The STEM of the letters is thick and sturdy, giving them a sense of weight and substance. The STRESS in the font is even and balanced, creating a harmonious look. The TAIL of the characters is long and flowing, adding a sense of drama to the design. The TITTLE of the font is small and precise, adding a touch of detail to the characters. The TERMINAL of the font is sharp and defined, giving the characters a strong sense of closure. The VERTEX of the characters is sharp and pointed, adding to the font’s overall edgy aesthetic.
Classifying Font Weight Name: Hemogoblin-Mangled based on the filters provided, this font falls into the category of Elegant – Rugged. Its expressive design and bold structure give it a rugged and adventurous feel, while its sharp apexes and strong stems add an element of elegance to the overall look. The font strikes a perfect balance between being serious and friendly, making it versatile for a wide range of uses. Hemogoblin-Mangled can be described as having a technic – organic vibe, with its precise ligatures and flowing arc creating a natural yet technically advanced aesthetic. The font’s classic serif style is complemented by progressive elements, making it both timeless and modern. While it exudes a sense of familiarity, it also dares to be different, making it a daring choice for those looking to make a statement with their typography. Hemogoblin-Mangled’s bold presence can be loud when needed, yet discreet in its subtlety. It manages to strike a balance between feeling cold and warm, fitting seamlessly into various design contexts.
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Publish Date: 2024-04-22